into_the_breaks

electro-acoustic dubcology I.2: arboretum trail/pond/zucker shrubs These are recordings from the Cornell Plantations, Arboretum Trail, Pond and Zucker Shrubs. Summer of 2007. Originally I planned to heavily process the sounds and render them to a drone to accompany listeners as they walk about the arboretum. Sort of like a live field recording mash-up.

Gardening at Night (an ambiguous heterotopia) Pt. 1 Video shot by Norman W. Long and Kathleen Quillian in 2002 Soundtrack - Mixed and edited Field recording from San Franciscos Mission District and radio scanner. Sounds processed by Leafcutter John's Forester program.

Re:combinant Window 2002 from normanwlong on Vimeo . Re:Combinant Window 2002 site specific sound installation San Francisco Arts Commission, San Francisco, CA  February 2002 This video is from an installation from 2002 at the San Francisco Arts Commission's Grove Street Galleries. I proposed a sound installation where I combined the history of the gallery and the present. Somewhat like a palimpsest with the stacked furniture, signage, etc and sound from a radio scanner picking up sounds from the area. Many Thanks to Kathleen, Julio and Natasha

Untitled Ithaca (Top of Hill) Sound pieces for Collegetown and the Ithaca Commons Different sections of Ithaca are defined not only by their architecture but by their sounds. Sound signals, such as buses, sirens, music from Collegetown Bagels and Rullof’s, as well as creek noise help define Collegetown, while other signals, such as the fountain, music from Simeons, pedestrian and vehicular traffic, create a distinctive acoustic profile of the Commons.  Moreover these sounds change with the seasons.  Analyzing sound elements—signals, soundmarks, acoustic horizons, profiles, and keynotes—complements design analysis but also provides a narrative about the local community.  The sounds we listen to become part of our own stories or lives and affect us in ways similar to language.  With the help of digital editing, I have come up with two sonic narratives. Composing the works is no different than editing a film. It’s the juxtapositions that make the pie...

Textures & Gestures 1 Textures and Gestures - Presbyterian Hill 2005 10:46 Sounds from Presbyterian Hill section of a cemetery in Trumansburg, NY.  Fall 2005. Processed sounds of contact mic, gravestones, leaves, trees, lichens, stairs.

Oceanic Memories 2005 2005 16:21 min Featuring the sounds of the Pacific Ocean, Short-wave Radio, buried tape recorder in sand, and a drum circle all enhanced with digital sound processing. The title refers to the term oceanic which is a psychological term, referring to a womb-like experience, womb-like, as in being engulfed in a sea of noise. Oceanic generally means resembling the ocean in apparent limitlessness in extent or degree (the American Heritage dictionary). I composed this with the thought of making connections to a psychological past and a cultural past (referring to African Rhythms and the Middle Passage).

In Transit: Chinese New Year in Black History Month This piece was came about during a time where I would walk to my grad studio at the San Francisco Art Institute from the BART station downtown. Usually I would walk through China Town on my way to the studio. I had made several recordings of my walk and mixed and processed them for this piece. The majority of the source material came from the Chinese New Year festivities in 2005. The accompanying article reflects on Ellison's Invisible Man, black subjectivity, double-consciousness, creativity and listening.  Thanks to Kathleen Quillian.