Due to technical issues, I couldn't get my Ableton Live to work on OBS/ twitch, so my set changed from field recordings to "dub-noise" at the very last minute. I usually attribute solo noise, drone, ambient, beat based performances to eXU-9. eXU-9 takes it's machine name from Exu, Papa Legba, Cybotron, Model 500, UR, X-101, X-102. Sound inspired by MF BASS, Wave form Transmissions I & III, Interstellar Space, Space is The Place, Pulse Demon, Butoh, Great Black Music and Herbie Hancock’s Mwandishi Projects. It is both a machine and a hyper-sygil for liberation, disobedience, transformation and self-care/acceptance. It also gives me space to explore sound beyond logic and language. This set was improvised with real time frustration with my set up. In the end this was just me showing up, dealing with setbacks and performing anyway. I prefer listening to this set on headphones.
Dal Niente + Norman Long, Friday, December 8, 2023 8:00 PM 9:30 PM Co-Prosperity Sphere3219-21 S Morgan Chicago, IL FREE Dear Friends Thank you all for your support this year. I am honored to have been invited to participate in Ensemble Dal Niente's program at Co-Prosperity tomorrow night. I'll perform a live mix of field recordings from Oakland, San Francisco, Redwood City, Yucca Valley, and modular synthesis exploring the transitions from contested space to alter destiny. Set I: Ensemble Dal Niente Orlando Garcia, Escher Variant 1 for flute, clarinet, harp, vibraphone Sarah Nemtsov, Zimmer IV for flute, piano, 2 performers, and electronics Set II: Norman Long text and image: https://www.dalniente. com/all-events/2023/12/8/dal- niente-norman-long
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