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Showing posts from August, 2020

LIVE from Lockdown 3: World Listening Day 2020

normanlong · WLD2 2020 Mixed live on World Listening Day 2020, July 18, 2020. You can read my thoughts on this year’s theme: “The Collective Field”, here. This mix collects the Black spaces and Green spaces of Black neighborhoods on the south side of Chicago, from hydrophone recordings of marsh land at Marian R. Byrnes Park and Big Marsh to picnics at Washington Park and neighborhood parties.  When we say Black Lives Matter then Black space matters, Black Sound matters, then sounds we make, hear, live with and create matter and must not be dismissed or denigrated before they are heard. This is what I tell myself. We need our creativity and sensitivity. I haven’t led  soundwalks since the lockdown. However, I have been recording our prairie and have many recordings of an urban community with a wildlife reserve. The prairie is located between Jeffery Manor, a residential neighborhood in Chicago, IL and a large rail yard. This area is also called the calumet region and was once inhabit

LIVE from Lockdown 2: The Quarantine Concerts July 3, 2020

July 4, 2009 I recorded my neighbors setting off fireworks in our alley. I submitted the recording for a compilation on the sound of recession . This summer of 2020, I was invited for ESS' Quarantine Concerts July 3 event by Katinka Kleijn. For this performance the context is the crisis of pandemic, recession and police violence towards African-American citizens. With this on my mind I performed a mix of recordings of my neighborhood and electronic improvisations to expand and decolonize our listening. I open with bells and fireworks to blast away bad spirits.

LIVE from Lockdown 1: Quarantine Concert April 1, 2020

Due to technical issues, I couldn't get my Ableton Live to work on OBS/ twitch, so my set changed from field recordings to "dub-noise" at the very last minute. I usually attribute solo noise, drone, ambient, beat based performances to eXU-9. eXU-9 takes it's machine name from    Exu, Papa Legba, Cybotron, Model 500, UR, X-101, X-102. Sound inspired by MF BASS, Wave form Transmissions I & III, Interstellar Space, Space is The Place, Pulse Demon,  Butoh, Great Black Music and Herbie Hancock’s Mwandishi Projects. It is both a machine and a hyper-sygil for liberation, disobedience, transformation and self-care/acceptance. It also gives me space to explore sound beyond logic and language. This set was improvised with real time frustration with my set up. In the end this was just me showing up, dealing with setbacks and performing anyway. I prefer listening to this set on headphones.