Monday, February 17, 2020

Steelworkers' Drone



STEELWORKERS’ DRONE


Reserve Matinee, Sara Zalek  and I are proud to announce the cassete and download release of Steeworkers’ Drone. Sara and I  have been improvising movement, sound and listening in various permutations, places and materials since 2015. This is my second release with Reserve Matinee, the first was a compilation of works from my Dubcology series https://reservematinee.bandcamp.com/album/electro-acoustic-dubcology-i-iv. I am grateful for having the opportunity to share some of our work with you. Thank you for your time and thank you for listening.  And thanks to Mia Capodilupo for having us perform at Ignition Project Space!


About:


  1. Dialogues (Ignition Project Space, January 27, 2018)
Inspired by Pauline Oliveros' Environmental Dialogue (1996 Revision), this is an extension of her composition (2018 Revision). Resonating the Ignition Project Space with breath, rhythm and subtle sound from little synths, sheet metal, paper, and amplified environmental sounds. We welcomed the New Year by reinforcing collective listening with the audience, with the intent of listening for the unknown and heightening our experience of time and the present moment. 


  1. Rust Canopy Transference (Steelworkers Park, April 10, 2018)
    Our first exploration into Steelworkers Park, after having led some soundwalks together at Big Marsh with the following questions/prompts. Memory + Imagination + Presence. How to be in a place that is new and old? How do we understand this place? It was a gray day, about 45 degrees. We found large machine parts on the manicured part of the grounds, and chose to amplify our sounds within them, to hear our interactions with each other and the instruments that these giant parts had become. Norman used his Korg synth kit and amplifier, Sara used her phone app Saucillator.


  1. Listening for Resilience (Big Marsh, July 20, 2019)
A Soundwalk for Midwest Society for Acoustic Ecology Night out in the Parks Program. For three years, we have researched and led interested participants through the trails at Big Marsh, to see and hear how the landscape is changing over time.  During our walk, we performed listening and breathing exercises with our group. We also provided water for hydration. All to prepare them to focus on the soundscape especially on a very hot day. We walked on newly formed shaded paths for the afternoon. We had two clearings for stopping and listening. One listening station where participants could hear amplified network of insects in the undergrowth through headphones connected to a recorder and contact microphones. The second station was a natural pavilion for Sara’s performance with a large salvaged metal sheet and accompaniment from Norman with field recordings and iPhone app. After the performance, we reflected on the resilience of the local ecology and soundscape. We led a discussion about resilience in the context of ecological restoration, community disinvestment, immigration and education. 


  1. Loveship Unfolding Threshold Terrain (Steelworkers Park, July 30, 2018)
A second trip to Steelworkers Park, toward sunset, on a midsummer day. Some artworks and collections of slag materials had been installed since our previous trip, as well as the climbing wall. We found one of the machine parts we had explored inside had been sealed off. Where we had once been able to climb inside was no longer accessible to anyone. We took to the shoreline of the park for this recording. Norman used a battery powered benjolin synth to improvise with the natural soundscape. Sara used the slag rock, a magnet and amplifier.


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These tracks exemplify our work as a duo, Sara Zalek and Norman W. Long. Our actions and recordings were carried out at Steelworkers Park and Big Marsh, once home to US Steel and Wisconsin Steel respectively, two of several Steel Mills that were located on the South East Side of the city. What we saw were urban ruins full of new natural growth. Ore walls, giant boulders of slag, and large factory components to giant machines splayed in this public space at Steelworkers Park, which is now a park and a memorial. With our actions and recordings, we reflect on the steel industry, and the corporate disinvestment which changed an entire community. Once, the neighborhoods around these isolated giants thrived. When they left, they left the ghost of industry and a greyfield terrain. Over a period of years, the area slowly devolved into empty streets and abandoned buildings. The city of Chicago memorialized these particular parks in 2014 and 2016. The story keeps evolving as this area continues to transform, there is still an in-between feeling here, an area not deemed worthy of investment by developers. There is a decades long desire for improvement and investment from the community but questions about specific plans remain.


Sara Zalek is an artist, curator, and healer rooted in physical investigations of trauma and resilience, seeking models for growth personally and collectively. Their work challenges the quest for the eternal elixir, and promotes the intentional act of disruption to create social and ecological change. Sara performs live often and in multitudinous situations; she has been a Chicago Dancemakers Forum Lab Artist in 2015, participant in the Regional Dance Development Initiative 2016, and Ragdale Fellow in 2017. They have performed and curated at the Chicago Cultural Center, Elastic Arts, Experimental Sound Studio, Links Hall, Chicago Architecture Biennale, Elevate Chicago Dance, Lumpen Radio, OuterSounds, OuterSpace Studios, and are an active board/member of the Runaways Lab Theater. www.saratonin.com


Norman W. Long’s practice involves walking, listening, improvising, performing, recording and composing to create environments and situations in which he and the audience are engaged in dialogues about memory space, value, silence and the invisible.  Norman finds inspiration in the Creative Music and electric imaginations of The Art Ensemble of Chicago, Sun Ra, Pauline Oliveros, Phuture, Herbie Hancock’s Mwandishi, Hildegard Westercamp and King Tubby. Norman Long has performed and exhibited at the Hyde Park Art Center, Experimental Sound Studio, Kavi Gupta Gallery, Links Hall, Elastic, Chicago Humanities Festival, Chicago Cultural Center and 2017 PRIZM Art Fair (Miami). Norman performs with Angel Bat Dawid and the Brothahood and has performed with Damon Locks, Standing On the Corner, Dan Bitney and Todd Carter.  intothebreaks.blogspot.com


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Postindustrial remnants scraped from an epicenter of rebirthed decay in South Chicago.


A psychogeographical assemblage sourced and performed in a way that gives insight into the industrial technologies of a bygone age which has generated real social realities in our City’s most liminal spaces. An auditory chronicle of the spectacle’s departure from industrial sites and unto new forms of extraction and exploitation made possible by the rise of digital virtual marketplaces.

Steelworkers Park Summer 2018

Steelworkers Park Summer 2018


Steelworkers Park Spring 2018



Friday, October 25, 2019

Elastro A/V Fest, Listening Garden, Birthday, EU Tour




Neighborhood Listening Garden

Jeffery Manor Public Library Branch, Reading Garden

2401 E. 100th St., Chicago, IL 60617

Installation Closing October 31


I want to thank ThreeWalls’ RadLab/Outside the Walls program for helping me realize this project. I also want to thank, Jeffreen Hayes, Regina Martinez, Lauren Williams, The Chicago Public Library’s Jeffery Manor Branch, Block Club Chicago, Channel 7,  SkyArt, Big Marsh, U of I Extension, DCASE, Lindsey Holbrooke, Angel Bat Dawid, X. Espinoza, Alex Inglizian, Mrs. Norma P. Long and everyone who planted, walked and listened with us!


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This Saturday I will be playing in a trio with Dan Bitney (Tortoise) and Mat Mehlan ($keleton$) at Elastro A/V


Night two of a special series of four live electro/acoustic sound + video performances featuring over 40 local artists.

Saturday October 26th 9pm
$10

set one: Sara Goodman / Kit Young – video, Kikù Hibino – electronics, Alisa Kolot – piano/electronics, Allen Moore – turntables/electronics

set two: Dan Bitney – percussion/electronics, Norman Long – synthesizer/electronics, Matt Mehlan – synthesizer/electronics, Ricardo Mondragon – video

set three: Alex Inglizian – electronics, Julia A. Miller – synth guitar, Daniel Wyche – guitar/electronics, Graham Stephenson – amplified trumpet, Kit Young / Sara Goodman – video

set four: Kim Alpert – video, Jill DeGroot – flute, Lou Mallozzi – turntables/electronics, Sam Pluta – electronics

Click here for more information:

This series is curated by Kim Alpert, Alex Babbitt, Paul Giallorenzo, and Daniel Wyche.
With support from mediaThe foundation.

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You Are Invited!

Birthday Celebrations!

Sunday, October 27

Elastic Arts

3429 W. Diversey

8pm-Midnight


I share a birthday with friend/co-conspirator/collaborator Sara Zalek. Please stop by Elastic for a bit to celebrate with snacks and refreshments.


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Angel Bat Dawid & The Brothahood Tour

October 31 - November 17


I’ll be playing with Angel Bat Dawid’s Brothahood as we tour across the EU and UK. I’ll be playing synths, field recordings, electronics and percussion. I couldn’t be happier or prouder to be included on this journey with so many good and talented people!


October 31 - November 17


Thursday, August 22, 2019

Long/Clinkman/Espinoza Trio





Xris Espinoza - Reeds/Percussion
Andrew Clinkman - Guitar
Norman W. Long - Synth/Persussion
Recorded at Experimental Sound Studio by Ralph Loza and Alex Inglizian
July 21, 2019
Thanks to ESS and Roman Susan
Banner art by Gwyneth Zelany Anderson

MSAE Summer Soundwalks: Listening for Resilience

MSAE Summer Soundwalks: Listening for Resilience

Big Marsh Park, Chicago, IL 
July 20, 2019
Norman W. Long
Sara Zalek
Midwest Society for Acoustic Ecology
Chicago Park District Night Out In the Parks Program
Photo/Video by Katie Wood




Norman W. Long has been following the revitalization of Big Marsh since 2015. He has done this by recording Big Marsh at several times during the year (when the City allows the public in to the area) and since it has opened as a Bike Park and Nature area. Listening is great tool to determine the health and resilience of this ecology.


Since 2016 Norman has collaborated with movement artist and Butoh performer Sara Zalek on soundwalks at Big Marsh Park. They have engaged the park and walkers with dance, improvised music, performance, meditation practice and mindfulness exercises to connect the community to the ecology and soundscape to Big Marsh Park.


This years theme is Listening for Resilience. Resilience is defined as: 
  1. the capacity to recover quickly from difficulties; toughness.: "the often remarkable resilience of so many British institutions".
  2. the ability of a substance or object to spring back into shape


During our walk, we performed listening, breathing exercises with our group. We also provided water for hydration. All to prepare them to focus on the soundscape especially on a very hot day. We walked newly formed shaded paths for the afternoon. We had two clearings for stopping and listening. One a listening station where one can hear amplified network of insects in the undergrowth through headphones connected to a recorder and contact microphones. The second station was a natural pavilion for Sara Zalek’s performance with a salvaged metal sheet (and acompaniment from Norman Long) reflecting on the resilience of the local ecology and soundscape. After the performance we all discussed our theme of resilience in context of ecological restoration, community disinvestment, immigration and education. 
























Within the South Deering neighborhood lies a brownfield marsh area called “Big Marsh” at 11400 S Stony Island Ave that the Park District is in process of ecological restoration. 
“Once the site of a waste and slag dumping ground from surrounding industrial operations since the late 1800s, the City of Chicago and the Chicago Park District teamed up in early 2000s to restore this area to a healthy habitat and eco-recreation park. The Chicago Park District acquired the site in 2011 and began the park planning, environmental assessment, and community input process. A Framework Plan for the park was completed in 2014. Design for the bike park feature in the southwest section of the park began in 2014 and the bike park opened in 2016. The northwest section of the park also opened to the public in 2016 with a new walking trail and parking lot. Big Marsh will be the site for the future Ford Calumet Environmental Center, expected to open in 2018. “

(https://www.chicagoparkdistrict.com/parks-facilities/big-marsh-park-no-564#locmap)









Sensitive Circuits: Listening Ground





Sensitive Circuits: Listening Ground, June 30, 2019 Experimental Sound Studio


As part of the Without Within exhibition, curated by Ruth Hodgins, a collaboration between Experimental Sound Studio and Roman Susan, I organized the soundwalk with performers and artists Gwyneth Z. Anderson and Sara Zalek. We collectively identified the listening hubs and actions/prompts associated with them. Listening as composing. Walking as performing. The sonic diversity of Edgewater. We travel through public and private spaces, an affluent community, public housing, senior housing, supportive housing,  commercial vs residential zones, private cemetary, public park and community gardens and fast food. The walk connects our inner-selves to the soundscape. 


We mapped our route through Edgewater withsoundwalk, excercises and listening score lead by Norman W. Long, Gwyneth Z. Anderson and Sara Zalek. Starting at the ESS garden, with stops at Rosehill Cemetary, Clark/Ashland Island, Senn Park, neighborhood community Garden, White Castle and ending the walk and completing the circuit in ESS’ Audible Gallery featuring work by Mie Kongo and Norman W. Long.


Leading the soundwalk is part of sharing my process with the public and collaborating artists. Listening, walking and recording is part of the process of my compositions, improvisatons and performances. Without Within offered me an opportunity to meditate on the relation between sound, object and space. Specifically Mie Kongo’s sculpture, ESS’ Audible Gallery, my soundscape compositions, and artists/performers Gwyneth Zelany Anderson, Andrew Clinkman, Xris Espinoza, and Sara Zalek.


















Photo, Kathleen Rooney
Photo, Kathleen Rooney




Friday, June 28, 2019

WGLT Nov. 14 1995 DJ set



























   

     Program director Chuck Miller hired me in August 1995 as a jazz dj for NPR affiliate WGLT in Normal, IL. I would work two shifts of 3 or 4 hours programming jazz, broadcasting syndicated shows by both Branford and Wynton Marsalis via tape or satellite feed. While I had studied clarinet from middle school through to my 3rd year in college, I had only played jazz in my high school band, where we played jazz, classical, marching band music, salsa and traditional irish folk songs. Like most of the music I had grown to love from punk to jazz, I picked it up and learned about it in a vacuum (due to race, class and location, more on this later), through my own research as a teenager and young adult. So to have programs I could run from NPR and the biggest jazz library I had ever seen, my education grew ten fold in a matter of weeks! I did have constraints due to the format the music director wanted us to use, but I only saw it as a challenge to learn more within the styles and artists I chose. My education wasn’t over after this job. It would be almost two years until I would meet jeff parker and chad taylor. Like many stations at the time, they were pressed to gain more listeners and wanted to move toward a more adult contemporary and smooth jazz sound. While making that transition I was still allowed to explore and educate myself and the audience.

     If music was a way for me to explore my identity, then jazz was how I found my blackness. However, not everyone was happy with my explorations and expressions. The constraints got tighter, no more Archie Shepp or any of that fire music. But with the support of Chuck who was a proponent of the kind of music I found inspiring I stayed on for the following semester even though I knew I wasn’t welcome. This time was integral to my development of my creative approach. My passion for jazz-Great Black Music was more important than feeling welcome by anyone at that station. That interest and passion was only recognized by one person and that was the guy that hired me and kept me on. So, as a DJ I valued communicating an idea or mood over ‘moving’ a crowd. Selections were more important than technical virtuosity.



     But this job was also opened up problems of reception of what I was doing and would continue to this day. And that problem has a lot to do with race. Working as a DJ in an unpopular genre as a black kid barely 21 years old when no one listened to jazz. This was the Midwest (More Chronic than Illmatic). I had no right to have ownership over what I was doing or to be empowered or educated. But here I was playing my culture and my music. It is something I reflect on positively to this day. I stumbled across an air-check tape (similar to a demo-tape of promos and announcements recorded during my DJ shift) from November of 1995. I made the playlist from this tape. The playlist is a bit conservative compared to what I DJ and play live with musicians but no less informative of what and how I learned about jazz. It also gives one a glimpse into 3-4 hours of life of a young Black art student in central Illinois.

Wednesday, June 26, 2019

Upcoming Events June 30 - July 31



Happy Summer!

I want to thank everyone who came out to listen, play and support this work. Summer is here and that means it is soundwalk season. I have several soundwalks I will be leading this summer. There are also performances with several ensembles and collaborators coming up that I am excited about announcing.

photo:Sara Zalek

Soundwalk: Sensitive circuits, listening ground


Sunday, June 30, 2019 at 3 PM – 5 PM


5925 N Ravenswood Ave, Chicago, Illinois 60660


A silent walk focusing on listening to the diverse soundscape of the west Edgewater neighborhood. Led by artist trio N.w. Long, Gwyneth Zeleny Anderson and Sara Zalek.

Join us at Experimental Sound Studio at 3 PM to embark; the walk will finish back at ESS around 5 PM. Participants are then welcome to join the group at Roman Susan afterwards to discuss the experience.

Norman W. Long is a sound artist/designer/composer based in Chicago, IL. His current work focuses on sound art production within the larger context of landscape. He has exhibited and/or performed in galleries in Chicago, Ithaca, New York, London, and the San Francisco Bay Area. The processes involved in his practice lie within the area of field recording, electro-acoustic composition and dub technique. His art/studio practice involves gardening, collecting, performing and recording to create objects, environments, situations in which the artist and audience are engaged in a dialogue about memory, space, value, silence and the invisible. It is his desire that his practice offers us a space to consider our relationship to sound via social, ecological structures, our interiority, and to affirm our existence. To hear his work online, please visit soundcloud.com/normanlong and normanwlong.bandcamp.com.

Sara Zalek is an artist, choreographer, and curator rooted in Butoh and investigations of personal identity. She is obsessed with time travel, experimental science, hybrid animals, ecology and the intentional act of transformation. www.saratonin.com.

Gwyneth Zeleny Anderson is a depressed animist, descended from European invaders and immigrants, based in Chicago and Baltimore. She makes time for the animation, absurdity, patterns, and paradox of humans and not-humans, often focusing on sensations and systems that are invisible to us due to their immateriality or assumed normalcy. She's presented work in galleries, festivals, forests, and empty lots throughout the Northern Hemisphere. As an artist in residence, she's gestated at the Experimental Sound Studio (Chicago), FRISE (Germany), Harold Arts (Ohio), Arteles Creative Center (Finland), and Utopiana (Switzerland). She teaches teenagers at the Lutz Center for After School Matters, and has taught in many other institutions including the Museum of Contemporary Art Chicago, Ox-Bow School of Art and Artist Residency, and Johns Hopkins University's Baltimore Youth Film Arts. She holds a BFA from the School of the Art Institute of Chicago, and received her certificate from the Center for Deep Listening in 2018. She thinks all artist bios and CVs are deceptive. For more information, please visit gwynethvzanderson.com.

Experimental Sound Studio is a Chicago-based nonprofit organization dedicated to artistic evolution and the creative exploration of sound. As an international hub for sonic experimentation, ESS nurtures artists, heralds new works, and builds a broad, supportive community of makers, enthusiasts, and creative partners through production, presentation, education, and preservation. For more information, please visit ess.org.

Sensitive circuits, listening ground is a part of the ongoing exhibition Without Within, a collaborative project between Experimental Sound Studio and Roman Susan Art Foundation. For additional information about the exhibition and upcoming programming, please visit ROMANSUSAN.ORG/WITHOUT-WITHIN.

☔️if it is going to rain, we'll bring umbrellas ☔️



Derek Monypeny / Consumer / N.W. Long


Tuesday, July 9, 2019 at 9 PM – 12 AM


2313 N Milwaukee Ave, Chicago, Illinois 60647

Cafe Mustache presents

Derek Monypeny is a Joshua Tree, CA-based guitarist and oud player who has played in the bands Oaxacan, ALTO!, and Sir Richard Bishop's Freak Of Araby Ensemble. He has performed and toured with artists such as Bill Orcutt, Jozef van Wissem, Eva Aguila/Kevin Shields, Arrington de Dionyso, and many others.  

"Derek, using tastefully deployed effects and small and patient gestures, digs deep into those thin places where all kinds of inner space visions can flourish. You could talk about the complex social organization and communication among undiscovered species of highly intelligent insects deep under the sands of Mars . . . or any pulsing pattern of pure electricity hurtling somewhere through deep space . . .  or shortwave radio broadcasts of the latest tunes by mutant Touareg troubadours roaming the dark side of the moon . . . etcetera" -Larry Dolman, Blastitude magazine

Consumer.
MATT PALENSKE DAWNS THE MONICKER CONSUMER. TO HARNESS ALIENATED OPTIMISM WITH A REACTIVE, BODILY PERFORMANCE USING A SOULFUL BLEND OF APOCALYPTIC VOICES TO CREATE VEXING, THRASHY DANCE MUSIC.

Norman W. Long is an artist/composer born and raised on the South Side of Chicago. His practice involves soundwalks, performing, improvising and  field recording. Norman has performed with Angel Bat Dawid's Brothahood, Chicago Phonography, Carol Genetti, Eli Namay, Peter Maunu, Jim Baker, Damon Locks,Todd Carter, Sara Zalek Lia Kohl, and Andrew Clinkman.


8pm Doors
9pm Show
$5-$10 donation (bring ca$h!!!)


MSAE Summer Soundwalks: Listening for Resilience

Saturday, July 20, 2019 at 3 PM – 5 PM

Big Marsh (Park 564) 

11555 S. Stony Island Ave. 

Chicago, IL 60617

Norman W. Long and Sara Zalek lead an exploration of resiliency through Big Marsh Park includes exercises which ready the body for listening acutely and sharing our encounters.

Midwest Society of Acoustic Ecology is happy to announce its fourth annual series with the Chicago Park District's Night Out In the Parks program.

Break away from your daily routine. Renew your sense of place through mindfulness walks and listening in the parks.

Join your neighbors in Soundwalks led by faculty and alumni from The School of the Art Institute of Chicago and fellow teaching artists for a unique outdoor experience for all ages.

Presented by Mayor Lori Lightfoot, Night Out In the Parks brings arts and culture to over 500 parks across the city, free and open for public participation.

What is a soundwalk? A soundwalk is a guided exploration of a site using listening focused skills. We will listen to how the site sounds, as we are moving through it. Through listening we have a tool to define communities and ourselves. We also can use those tools to shape who we are and where we live. We will be listening for changes, interactions, conditions, weather, traffic, animals, insects, people, vehicles and other factors in what makes a place what it is.





Midwest Society for Acoustic Ecology (MSAE):
Midwest Society of Acoustic Ecology is happy to announce its third annual series with the Chicago Park District's Night Out In the Parks program.

Break away from your daily routine. Renew your sense of place through mindfulness walks and listening in the parks.

Join your neighbors in Soundwalks led by faculty and alumni from The School of the Art Institute of Chicago and fellow teaching artists for a unique outdoor experience for all ages.

Presented by Mayor Lori Lightfoot, Night Out In the Parks brings arts and culture to over 500 parks across the city, free and open for public participation.

The Midwest Society for Acoustic Ecology (MSAE), established in 2009, is a membership organization dedicated to exploring the role of sound in natural habitats and human societies, while promoting public dialogue concerning the identification, preservation, and restoration of natural and cultural sound environments.

MSAE realizes it mission through local initiatives in agreement with the common aims and goals of the World Forum for Acoustic Ecology (WFAE). These include public soundwalks, educational workshops, and creative and scholarly productions. We work in partnership with the National Park Service, Center for Humans and Nature, Chicago Park District, Chicago Wilderness, Brushwood Center at Ryerson Woods, Mixage Fou, and World Listening Project, among others.




Norman W. Long, Andrew Clinkman and Xris Espinoza


Sunday, July 21, 2019 at 3 PM – 5 PM


5925 N Ravenswood Ave, Chicago, Illinois 60660

Join us for a performance at Experimental Sound Studio by N.w. Long, Andrew Clinkman, and Xris Espinoza.

Norman W. Long is a sound artist/designer/composer based in Chicago, IL. His current work focuses on sound art production within the larger context of landscape. The processes involved in his practice lie within the area of field recording, electro-acoustic composition and dub technique. His art/studio practice involves gardening, collecting, performing and recording to create objects, environments, situations in which the artist and audience are engaged in a dialogue about memory, space, value, silence and the invisible. It is his desire that his practice offers us a space to consider our relationship to sound via social, ecological structures, our interiority, and to affirm our existence. To hear work online, please visit soundcloud.com/normanlong and normanwlong.bandcamp.com.

Andrew Clinkman is a Chicago based guitarist whose work primarily centers around experimental and improvised music. In addition to solo guitar work and many ad hoc collaborations, he is an active member of several bands including Marker led by composer and saxophonist Ken Vandermark, and weirdo pop group Spirits Having Fun. His solo guitar recording, The Joy Of Cooking, was released in January 2015 by Lake Paradise Records. He has been a co-curator of the Option series at Experimental Sound Studio in Chicago since June 2015 along with Ken Vandermark and Tim Daisy. To hear work online, please visit lakeparadiserecords.bandcamp.com/album/the-joy-of-cooking and soundcloud.com/buckmasters.

Xris Espinoza
Reeds/Percussion

A visionary musician, artist and thinker, Xris believes “the spiritual technology of sound [tone science] has the power to uplift the spirit, engaged and expand consciousness, reveal unfathomed depths of ancient wisdom and synchronize brain waves with the natural acoustic resonance of mother earth La Pachamama.”



Experimental Sound Studio is a Chicago-based nonprofit organization dedicated to artistic evolution and the creative exploration of sound. As an international hub for sonic experimentation, ESS nurtures artists, heralds new works, and builds a broad, supportive community of makers, enthusiasts, and creative partners through production, presentation, education, and preservation. For more information, please visit ess.org.

This performance is a part of the ongoing exhibition Without Within, a collaborative project between Experimental Sound Studio and Roman Susan Art Foundation. For additional information about the exhibition and upcoming programming, please visit ROMANSUSAN.ORG/WITHOUT-WITHIN.

Image: installation detail of sound composition by N.w. Long at Experimental Sound Studio



Genetti/Long/Maunu Trio


Tue, July 30, 9:00pm – 12:00am

Cafe Mustache – 2313 N Milwaukee Ave. Chicago, IL 60647

Carol Genetti - Voice

Peter Maunu - Guitar/Mandolin/Violin

Norman W. Long - Electronics



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Thank you for listening!

Steelworkers' Drone

STEELWORKERS’ DRONE http://reservematinee.bandcamp.com/album/steelworkers-drone Reserve Matinee, Sara Zalek  and I are proud to a...